By Feryal Aboshama

Jan/Feb 2024

In 2021, I would scroll through social media and watch my people be hurt and bleed for simply existing and standing up for what they believe. Every night tears uncontrollably slipped down my face as I thought about the Palestinians. I would cry silently, feeling helpless and guilty, and constantly wake feeling guilty for being blessed with another chance to wake up, while millions of Palestinians either didn’t or, if they did, woke up orphaned and alone. All I could do was watch the people protecting our Holy Land die gruesome, inhumane deaths that traumatized the children and made them fear for the future they won’t have. 

I constantly questioned myself and wondered what I could do, because a simple social media post that only took a second to upload didn’t satisfy me. And so I turned to doing the only thing I could do at that moment: making protest posters with different sayings, like “From the river to the sea, Palestine will be free,” “75 years is enough,” “Free my people” and plenty of other sayings, all painted in Palestinian colors. I then went on to paint a canvas to donate or sell for the Palestinian cause — but I kept the first one. 

Every Stroke

That painting depicted a tattered Palestinian flag in the background. On top, in bright white, it said “Free My People” with the shape of Palestine as the period. Every stroke of red reminded me of the unnecessary bloodshed. Every stroke of black reminded me of the smoke filling the air and the lungs of innocent Palestinian adults and children. Every stroke of green reminded me of the olive trees that used to stand as strong as the people fighting for their rights. Every stroke of white reminded me of every kafan (the cloth used to wrap the deceased) wrapped around an innocent life that departed too soon. Every stroke filled me with rage and sadness — rage because that isn’t what these colors represent, and sadness because that is what I am now constantly reminded of. 

While I still found myself feeling guilty, I turned to art, and day by day continued channeling that pain and sorrow in my art pieces, converting those emotions into hope … a hope that every Palestinian holds with pride, knowing that one day, with God’s Will, they will be freed.

Now, every day I turn on my phone and go straight to Instagram for real-time information. I would never have done this before, but here I am. Opening the app, I go through different Palestinian journalists’ accounts from Bisan to Motaz to Plestia and so many others who’ve become household names. Constantly praying and making dua for them, I hope that next account won’t be about another 1,000 quickly dismissed deaths.

One quote has stayed with me: “Even if the world was against me, I would still fight for what I stand for, until death.” I’ve always stood with Palestine, and will to the day I die. When I was younger, my parents taught me about Palestine. They told me when I fight for what I believe in to fight like a Palestinian, to have patience like a Palestinian, to smile like a Palestinian and leave it to God. Even back then I knew I had to fight for Palestine because, although I’m not Palestinian, they are my people — not just because I’m Muslim, Arab, Middle Eastern, but especially because I’m a human being who cares for all of humanity. This means that when my brother or sister gets hurt, I feel their pain. 

Today, I live in a constant state of awareness, gratefulness and dua. I’m aware of everything going on in Palestine, as well as everything I’ve taken for granted while innocent people don’t have an ounce of what I do. I’m grateful for every day I get to wake up and be with my family. I make dua that everyone in Palestine continues to fight with the strength provided by God. I pray for the day I get to see Palestine free. 

Feryal Aboshama, the second place prize winner of the Islamic Horizons essay contest, attends Eman Schools in Fishers, Ind. She will soon be going to university to study neuroscience and psychology, with a minor in Arabic.

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By Sundus Abrar 

Jan/Feb 2024

Protests calling for a ceasefire in Palestine are drawing increasing and diverse attendees. As Israeli attacks on Gaza continue with complete disregard for civilians and international law, Palestinians remain committed to broadcasting the atrocities inflicted upon them on social media. For Palestinian journalists, this task of accurately documenting the genocide takes precedence over their own personal safety.

According to The Washington Post (Nov. 14), “At least 42 members of the media have been killed in the Israel-Gaza war since Oct. 7, according to the Committee to Protect Journalists, making this past month the deadliest for journalists since it started gathering data in 1992.”

Despite social media censorship and the mainstream media’s blatant efforts to suppress and discredit the content coming out of Gaza, the images and videos of the violence being inflicted upon Palestinians are circulating pervasively. A harrowing narrative is emerging, and the dire conditions are difficult to process. 

Some parents, out of concern for their young children’s emotional well-being, may decide not to share everything about these events. However, Fatmah Muhammad, a Palestinian-American residing in California, strongly encourages parents to involve and inform older children about advocating for the oppressed. “They think they are protecting their children, but who are these children going to be as grown adults? How is the ummah going to change if we are raising our youth to be complicit?” she asks. 

Muhammad grew up learning about Palestine through her parents, who were born and raised there. She participated in protests against Israel’s illegal occupation, but didn’t fully realize the extent of the occupation. When she first visited Palestine, aged 12, she came to an alarming awareness of the extreme restrictions they endure while living under constant surveillance and policing. Her children had a similar experience during their first trip in the summer of 2023. 

Her 10-year-old daughter Kareemah was distraught when their car was stopped at a checkpoint while driving to Ramallah. Israeli soldiers pointed guns at them as they searched the car, before letting them go upon realizing that they were American citizens. “We told our cousins about what happened, and they told us this is the norm. We were so terrified,” shares Kareemah. 

Muhammad’s children feel a sense of privilege compared to their family in Palestine. “When I go there, I get treated nice. I feel that I don’t deserve to go there. I can move around and go places. We can leave checkpoints, but Palestinians who live there can’t go everywhere,” shares 12-year-old Zakariyah. Some people born in Palestine are even prevented from visiting the al-Aqsa Mosque. This imbalance is what propels Muhammad’s children to actively advocate for Palestinians. 

Non-Palestinian Activists

“I don’t care if they become doctors, engineers or whatever they want to become. That’s secondary to me,” said Syed Rahman, an artist and parent of two in Chicago. “My primary concern is that I want them to be leaders in the ummah.”

Rahman, whose family originates from Hyderabad, India, is also profoundly aware of his privilege. Living as expats in Saudi Arabia, his parents couldn’t discuss politics openly or protest. Rahman is grateful for his parents’ efforts to immigrate to the U.S. “They struggled so I don’t have to.” 

A dedicated philanthropist, Rahman is also founder of the popular small business @ModernWallArt, which sells unique Islamic art. Having garnered a significant audience on the business’s social media account, he utilizes his reach to raise awareness and fundraise. Through the contributions from his online and immediate community, he has raised over $1 million for Human Concern International (HCI) for aid in Gaza. 

In collaboration with Jannah Circle, a Muslim women’s nonprofit, on Nov. 4 Rahman hosted an impromptu charity bazaar in his warehouse space in Skokie, Ill. Participating vendors donated all or at least part of their proceeds. Though the event coincided with the largest protest in Washington, D.C., it still drew over 500 attendees and raised $20,000. 

Rahman and his wife Mehreen Bukhari are keen on educating their daughter Ilyana, 6, about Palestine. Bukhari is forthcoming in her unwavering efforts to advocate for Palestinians, “I boycotted Starbucks before and then stopped. I would go to protests, but then when the ceasefire was announced I’d stop following up.” These fluctuations fuel her urgency in involving youth in activism. “I didn’t learn about it growing up. It’s only now that I am in my 30s that I am more aware and able to advocate for oppressed people. We can’t delay any change the next generation can bring.” She believes that their charity bazaar provided an opportunity for young kids to also learn about the situation in Palestine. 

Diversified Activism

In addition, Muhammad has diversified her activism while continuing to participate in protests. She has an immense following on her social media @KnafehQueens, where she markets her business that sells knafeh, a famous Palestinian dessert. On her Instagram account, she has sought to inform her followers and engage those who are new to the cause.

“I am trying to bring up the cause to people at different levels of awareness. Not everyone can talk politics,” says Muhammad. “By taking a public stance, I have lost some customers, but I trust in Allah.” She has encountered abuse and threats online, but remains firm in doing all that she can to raise awareness. “People have told me you should be careful. But this is my duty.” 

Her daughter Rheyanah, 17, is also engaging the community by organizing protests, fundraisers and qiyams. Muhammad cautions her daughter to find a balance between her academics, but is also immensely reassured by her children’s dedication. “It gives me hope. Israelis have said over and over that the kids will forget about Palestine, but Allah wants it in our hearts because there is so much beautiful history [there]. It’s a blessed land, and I hope to see that my kids are in it till the end.”

Like many others, she too draws her motivation from the Palestinians who, while living under the grueling conditions of oppression, continue to be resilient and retain their spirit of hospitality and kindness. She shares the welcome her family received during their trip to Palestine. “How they lead their lives every day is beautiful. The ones who have the least will give you the most,” she said. 

More people are gaining awareness of the severe oppression Palestinians have been living under for the past 75 years. The diversity at protests and the increased conversations online are a reassuring indicator of this. Every parent knows how much to share with each child, but there has to be some level of awareness in all Muslim children. Several parenting blogs and authors like Noor Kids have shared simple ways of explaining the occupation to young children. They don’t need to see graphic, violent images, but they do need to be aware. As parents living comfortable lives thousands of miles away, this is the least we can do.

Sundus Abrar, an undergraduate degree in professional writing, aspires to generate dialog around current concerns within the Muslim community.

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By the ISNA Green Initiative Team

Jan/Feb 2024

Today we are witnessing unjust wars, the degradation and exploitation caused by the Zionist apartheid state, of not only a group of people and their economy, but also the violation of the rights of voiceless nature. This is causing the exponential rise of unsustainable practices, environmental degradation, and biodiversity decline. Further choking the existence of the occupied people and their land is the added layer of climate change. High temperatures, increased rainfall, sea levels rising, and increasing toxic wastes in the land have become unmanageable. 

The dehumanizing and oppression of people deprived of human rights and the right of self-determination; illegal settler colonialism; restrictions on movement; the destruction of farmlands and the native biodiversity of fauna, flora and its pollinators — to the dismantling of renewable energy infrastructure and an agricultural economy — is a direct result of an apartheid state, resulting in an ecocide. Ironically, under the facade of the victim, today the apartheid state is the Israeli occupation of Palestine.

Part of the Fertile Crescent, the cradle of agriculture and civilization, Palestine is located at the intersection of continents and has five phytogeographical areas. Since 1948, those Palestinians surrounded by Israel have been living under its brutal occupation, where uprooting olive trees, demolishing homes (Rebuilding Alliance.org) and marauding Israeli settlers are being used to constrict the Palestinians’ economy and limit their access to food, clean water, hygiene, and natural resources. Uprooting olive trees and choking off the water are tools for the ever-expanding boundaries of the Zionist state, not a “Jewish state,” as stated by Rabbi Yisroel Dovid Weiss, spokesperson of Neturei Karta. 

This is not dissimilar to other stories of land acquisition, in particular apartheid in South Africa, European colonialism, or slavery in the Americas, and the same realities in the Ottoman and Arab empires. Archbishop Tutu said he saw “the humiliation of the Palestinians at checkpoints and roadblocks, suffering like us when young white police officers prevented us from moving about.” 

Zoughbi Alzoughbi (founder and director, Wi’am: The Palestinian Conflict Transformation Center), who once visited a Native American reservation, said, “I found a historical map showing the stages of land dispossession of the First Nation people … To the staff and supporters of Wi’am the message was obvious; both Native Americans and Palestinians were Native to their lands, colonized by another people, told there was a way to live peacefully together, then violently removed from their own land, then forced onto small reservations of land, then slowly had even that land taken away by home demolitions and new settler colonies, only to end up treated by the colonizers as obstacles to peace and not as people.”

The Importance of Olive Trees

Olive trees are a primary source of income — about $12.3 million lost — for over 80,000 Palestinian families who rely on the olive harvest. According to UN figures, approximately 48% of the West Bank’s agricultural land is planted with olive trees. These trees account for 70% of Palestine’s fruit production and contribute approximately 14% to its economy. In addition, 93% of the harvest is used for olive oil production and the remaining 7% for local consumption. Olives, olive oil, and olive wood are used to produce soaps, table olives, and pickles 

Since 1967, 800,000 olive trees and 2.5 million trees have been uprooted — supposedly for security reasons. Since 1995, 60% of Palestinians have lost farmland to Israeli settlements, walls, military zones, by-pass roads and other closures (MIFTAH and VisualizingPalestine.org). Israeli agricultural export companies such as Mehadrin and Hadiklaim are among the primary beneficiaries of the destruction of Palestinian agriculture — they export produce from illegal settlements using stolen Palestinian land and water, as well as profit from the siege on Gaza.

Since October 2007 Palestinians have been unable to access their farmland (BDS & AlJazeera Nov 6. 2023). Israel has denied Palestinians access to their natural resources, including shared water resources, an estimated 1.5 billion barrels of oil reserves in the West Bank and more than $2.5 billion worth of natural gas off Gaza’s coast (UNPress, Oct. 17, 2022).

As the Israeli government cuts off fuel supplies, Palestinians living in Gaza use rooftop solar panels to help access electricity. However, since the Oct. 7 attack Israeli forces have ordered a complete siege of Gaza, which has cut off electricity and fuel supplies and targets hospitals via the solar panels on the AlShifa Hospital (ClimateHomeNews). 

Writing in The Guardian [UK] on July 9, 2019, Miriam Berger reported that Israel sprays the buffer zone to allegedly deprive potential “terror elements” of cover; however, farmers in Gaza say doing so damages crops and livelihoods. Forensic Architecture, a research agency based at Goldsmiths, University of London, stated that over the last five years Israeli planes have sprayed herbicide more than 30 times on the Israeli side of the buffer zone with Gaza. Even private rooftop home gardens are not spared.

Israeli water construction is another way to strangle Palestinian agriculture so that Israel can acquire more land. Tel Aviv builds water pipelines through Palestinian lands that help destroy the land, a practice that constricts the Palestinians’ water use and causes the destruction of olive trees and ends a generational livelihood (Corradin, Camilla. Israel: Water as a tool to dominate Palestinians. AlJazeera News. 2016).

Only an estimated 1% of solid waste is currently being recycled. The Israeli occupation has transformed the occupied Palestinian lands into a landfill for hazardous and toxic wastes and sewage since 1967. In fact, 60% of Israeli waste ends up in the occupied areas. This reality chokes the life of Palestinians while destroying the soil, and poisoning and polluting the groundwater. Israel’s disposal of its wastes is a clear violation of international laws related to environmental protection (MiddleEast Monitor, 2018).

A Solution 

The Olive Tree is a symbol of peace in all Abrahamic faiths. The Torah says, “Even if you are at war with a city … you must not destroy its trees” (Deut 20:19-20).  In Gen. 8:11-12, a dove returned an olive branch to Noah on the Ark, signaling the Flood’s end. Quran 24:35 proclaims, “The parable of His light is as if there were a niche within it a lamp: the lamp enclosed in glass: the glass as it were a brilliant star: lit from a blessed tree, an olive neither of the East nor of the West, whose oil is well-nigh luminous, though fire scarce touch it.” 

The Quran explains that humanity holds a privileged position among God’s creations — vicegerent (khalifa) — and that each person is entrusted with caring for God’s creation. And yet it repeatedly warns Muslims against hubris by asserting that they are no better than any other creature. The Prophet (salla Allahu ‘alayhi wa sallam) acknowledges that God’s knowledge and power covers everything. Therefore, abusing one of His creations, whether it is a living being or a natural resource, is a grave sin. 

Prophet Muhammad was a steadfast advocate of environmental justice, its preservation and conservation and environmental rights. He constantly sought to maintain a harmonious balance between all members of humanity and nature. He was a strong proponent of sustainable practices and equal access by all users of the environment. His words about the environment can be related to contemporary environmental issues.

In closing, the solution lies in the cry of the olive trees. This cry denotes a non-diverse, colonialist worldview, the exact opposite of the Abrahamic traditions. Muslims, as followers of the middle way — as God’s khalifah — are obliged to safeguard the trust gifted by God. Killing innocent women and children is murder, which God abhors. Indiscriminate killing cannot be validated as self-defense by any side. 

May God bless the slaughtered humans– and the destroyed environment. “O humanity! Indeed, We created you from a male and a female, and made you into peoples and tribes so that you may ˹get to˺ know one another. Surely the most noble of you in the sight of Allah is the most righteous among you. Allah is truly All-Knowing, All-Aware” (49:13).

The ISNA Green Initiative Team comprises Huda Alkaff; Saffet Catovic; Nana Firman; Uzma Mirza; S. Masroor Shah (Chair).

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By Muhammad Hadi

Jan/Feb 2024

The death of a single person casts a shadow over a community, drawing people together in shared grief. When a family is lost, the community’s fabric is torn, left with a wound that struggles to heal. Yet, what happens when whole generations are systematically wiped from existence? The pain and loss are magnified, yet the response from those powerful enough to make a difference is often muted, hidden behind justifications and political tapestries. Innocent children, whose only understanding of the night sky was the stars, are now acquainted with the darkness of man’s inhumanity. Their laughter and dreams, once so vibrant, now lay buried under the weight of rubble and indifference. The world, it seems, looks away, unable to face its reflection in the tragedy.

These images and stories haunted me, a relentless stream of what seemed like distant problems. And yet they were all too real for those living them. “We can’t do anything,” becomes a convenient curtain to hide behind. But I saw through it every time I closed my eyes and every time I heard the news. It was a lie told to soothe the world’s disquieted conscience, a shield against the harsh truth that we are all, in some way, connected to these distant tragedies.

As a student in the Bay Area, already immersed in Islamic multimedia and juggling academic pressures, I felt the pull of these global issues. They demanded more than my attention; they demanded my voice and my action. I realized that my daily struggles, exams and projects paled in comparison to the plight of those who had lost everything. The idea of starting a clothing brand had once been a flicker of inspiration for me, a way to express my creativity and individuality. But as I grew more attuned to the cries for help echoing from lands I’d never walked, that flicker transformed into a blaze of determination.

Hobby to Platform

What started as a cool hobby began to morph into a brand in my mind. It was no longer just about fashion or trends; it became a potential platform, a way to merge my creative impulses with my deepening desire to effect change. Between classes, I sketched designs, each line drawn being a silent pledge to the cause I was slowly, but surely, embracing. I found myself staying up late, my mind racing with ideas of how to use this platform for something bigger, something meaningful.

As the months unfolded, LUMOS started to really come into its own. The name, meaning “light,” became symbolic of my aspirations. I wanted LUMOS to be a source of light in the darkness, a spark of hope against despair. It wasn’t just a label; it was a statement, a commitment to shed light on the harsh realities that seemed to be shrouded in the shadows of the world’s attention. The brand began to represent a beacon of awareness, illuminating the stories that were otherwise overlooked.

Infusing garments with stories that matter became my mission. Using the language of design to speak truths that words alone couldn’t capture, each piece from LUMOS was more than just part of someone’s wardrobe. They were conversation pieces, quiet yet powerful advocates for those whose voices were being drowned out. I wanted each design to be impactful, to resonate with the wearer and the observer, to start conversations and challenge perceptions.

LUMOS was set to be a line of clothing that did more than just look good. It was about clothing that felt good — not just in texture, but in the conscience. Every sale, every thread, every color choice was intentional, designed to capture attention, to spark dialogue, to make people stop and think and, hopefully, to act. It was fashion with heart, style with soul, and threads with a cause. The intersection where aesthetics met ethics, where every item carried the potential to light up not just an outfit, but also a path to change.

The rallies — the outpouring of support for the world’s oppressed — were a turning point. It was a global call to action, and it spurred me into motion. LUMOS was no longer just an idea; it had become a necessity. I rallied my friends, classmates and community members. Together, we poured our collective passion into making it a reality. I was inspired to see fellow students, previously uninvolved, dedicating hours to support this cause. They went out of their way to promote our first event, ensuring that our community was aware and engaged.

Our first event was more than just a sale; it was a statement. The community’s response was overwhelming. They didn’t just buy clothes; they bought into an idea, a movement. We nearly sold out what was merely a preview of our brand, and the proceeds — more than $400 — went straight to emergency humanitarian aid. This event was proof that even as students, our actions could resonate. It was a testament to the power of collective action and a beacon of hope for the future.

As we prepare for our official launch, I stand ready to weave our message into the broader tapestry of social consciousness. With designs that champion unity and echo the moral imperatives of our faith, we seek to dress the world not just in clothes, but in hope, solidarity and action. Our upcoming collections will continue to fundraise, educate and rally a community of believers in the power of change. Through LUMOS, we’re not just creating fashion; we’re creating a movement. We’re changing the narrative, proving that even the smallest of voices can make the loudest of echoes. 

The world may whisper, “We can’t do anything,” but through LUMOS, I shout back, “Watch us.”

Muhammad Hadi, first prize winner in the Islamic Horizons “Palestine on my mind” writing contest, is a multimedia content creator based in Bay Area, Calif. For the last six years, he has started and grown projects for youth, including a podcast interviewing Muslims in tech, medicine, animation, education, and more. He is currently a senior in high school, and working as a growth engineer at a Y Combinator-backed startup. His Palestine-themed clothing line is available at https://lumoswear.com/.

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